Our large-format location recording vehicle has been specifically designed to produce audio for the largest shows with clarity, style and reliability. The inside has been designed to make the most arduous of tasks straightforward, and has been involved with some of the most prestigious shows of the last few years. Particular care has been taken with redundant systems and power distribution. There is a 6KW UPS on board that can run the truck for 30 minutes in case of mains power interruption. Every piece of technical equipment has either dual power supplies or is fed from a source transfer switch with two independent inputs.
Applications: • On-site music recording, duplication and transmission • On-site track-lay and archive • Live web-casting • 5.1 post-production • TV Hub • Large scale TV mixing • Radio studio mix and transmission • Mobile remix facility • Location dubbing facility • Control room for any recording space.
We supply systems based on the same renowned Studer mic amps as used in the Mixbus. These are connected via fibre to a remote recording system featuring two separate multitrack recorders for redundancy, along with extensive routing, clocking, monitoring and timecode facilities. The systems come in blocks of 48 for analogue signals, or 64 for MADI splits. For non UK recordings, we have systems that can be carried as hand luggage. We use equipment of the highest reliability and quality, and all our systems are pre-configured and tested off site. We also advise on audio facilities, communications and acoustic problems, and offer a design service for technical and non-technical end users. Special package deals are available – please contact us for more details.
When there’s no room for a vehicle but you need highest quality facilities, we have the solution. Based around a field-proven version of the Studer Vista that sits in the Mixbus and the same PMC or Barefoot Sound speakers, we can build a TV or radio control room almost anywhere. TV-specific items such as SpotOn audio playback systems and Cedar noise control are also available on request. For cinema transmissions, we have live Dolby Digital encode/decode facilities.
Former BBC sound supervisor Conrad designed the Mixbus in 2010 and has continued to add unique features to enable studio-class mixing from a mobile control room. His knowledge of acoustics combined with modern working practices and equipment give him an all-round ability.
Mat has been involved in music and sound since his teens, multi talented recording engineer, musician, songwriter and guitarist, his attention to detail is an integral part of our success story. He is a de-rig specialist and is never more at home than fixed to some computer screens.
Paul specialises in the theatre based workflows that we use. Equally at home behind a large PA desk or a broadcast console, he has a unique mix of talents that complement the team perfectly. He is particularly experienced with orchestra and opera along with large-scale outdoor events.
Tracy, our Radiomic Supervisor is unparalleled in her ability to fit a radiomic completely invisibly without it rustling, and has pioneered techniques now used by the rest of the industry.
Keith’s credits read like a Who’s Who of the music industry. Over the last 30 years he has mixed such luminaries as 10CC, Ralph McTell, Japan, Cliff Richard, The Ramones, Madonna and Elton John to name a tiny selection of his work.
Please enter your contact details and a short message below and I will try to answer your query as soon as possible.